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Was ist dabei, wenn wir zwei uns lieben album cover

ISRC

USBI19000088

Was ist dabei, wenn wir zwei uns lieben2

Song: WAS IST DABEI, WENN WIR ZWEI UNS LIEBEN

Roger Whittaker
unmatchedNot yet matched in the MLC database
Released 2000-01-01

Last verified:

USBI19000088 is the International Standard Recording Code (ISRC) for the recording “Was ist dabei, wenn wir zwei uns lieben” by Roger Whittaker, released 2000-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BERND DIETRICH, ENGELBERT SIMONS.

Format

USCountry
BI1Registrant
90Year (1990)
00088Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1990):
Last two digits of the reference year (1990). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWas ist dabei, wenn wir zwei uns lieben
IPIBERND DIETRICH

People also ask

What is the ISRC for "Was ist dabei, wenn wir zwei uns lieben" by Roger Whittaker?
The ISRC for "Was ist dabei, wenn wir zwei uns lieben" by Roger Whittaker is USBI19000088.
Who wrote "Was ist dabei, wenn wir zwei uns lieben"?
"Was ist dabei, wenn wir zwei uns lieben" was written by BERND DIETRICH, ENGELBERT SIMONS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USBI19000088?

USBI19000088 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Was ist dabei, wenn wir zwei uns lieben” by Roger Whittaker. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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