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ISRC

USBMG0600096

The Best Is Yet to Come

Song: THE BEST IS YET TO COME

Brian Stokes Mitchell
matched
Released 2006-10-10

Last verified:

USBMG0600096 is the International Standard Recording Code (ISRC) for the recording "The Best Is Yet to Come" by Brian Stokes Mitchell, released 2006-10-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T0700110060.

Format

USCountry
BMGRegistrant
06Year (2006)
00096Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCThe Best Is Yet to Come
ISWCTHE BEST IS YET TO COME

Musical Work (ISWC)

T0700110060THE BEST IS YET TO COME

MLC Song Code

B33242
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

Related

Other versions of this workView all on iswc.fm

BEST IS YET TO COME

JON LUCIEN

USA560439913

THE BEST IS YET TO COME

CY COLEMAN, CY COLEMAN,DONNY OSBORN,GERRY MULLIGAN,JANIS IAN,JAY LEONHART,JONATHAN SCHWARTZ,MEL TORMé,MIKE RENZIE,RUFUS REID, CY COLEMAN & DONNY OSBORN & GERRY MULLIGAN & JANIS IAN & JAY LEONHART & JONATHAN SCHWARTZ & MEL TORMÉ & MIKE RENZIE & RUFUS REID, CY COLEMAN;DONNY OSBORN;GERRY MULLIGAN;JANIS IAN;JAY LEONHART;JONATHAN SCHWARTZ;MEL TORMÉ;MIKE RENZIE;RUFUS REID, CY COLEMAN RUFUS REID JAY LEONHART DONNY OSBORN MEL TORMÉ GERRY MULLIGAN JONATHAN SCHWARTZ JANIS IAN MIKE RENZIE, JANIS IAN, MEL TORMÉ, JAY LEONHART, CY COLEMAN, GERRY MULLIGAN, JONATHAN SCHWARTZ, DONNY OSBORN, MIKE RENZIE, RUFUS REID, MEL TORMÉ CY COLEMAN JANIS IAN GERRY MULLIGAN JONATHAN SCHWARTZ MIKE RENZIE RUFUS REID JAY LEONHART DONNY OSBORN, MEL TORMÉ, CY COLEMAN, JANIS IAN, GERRY MULLIGAN, JONATHAN SCHWARTZ, MIKE RENZIE, RUFUS REID, JAY LEONHART, DONNY OSBORN, MEL TORMÉ & FRIENDS, RUFUS REID, MIKE RENZIE, MEL TORMÉ, JONATHAN SCHWARTZ, JAY LEONHART, JANIS IAN, GERRY MULLIGAN, DONNY OSBORN, CY COLEMAN, VARIOUS ARTISTS

USA560663317

THE BEST IS YET TO COME

LYNETTE WASHINGTON, LYNETTE WASHINGTON & DENNIS BELL JAZZ NY, LYNETTE WASHINGTON & DENNIS BELL JAZZ NY;BRUCE HARRIS;BRUCE WILLIAMS;JANELLE REICHMAN;NORIKO UEDA;VICTOR JONES, LYNETTE WASHINGTON, DENNIS BELL JAZZ NY, DENNIS BELL

USA470300220

THE BEST IS YET TO COME

NANCY ATLAS, THE NANCY ATLAS PROJECT

USA560300244

THE BEST IS YET TO COME

THE TWINKLE BROTHERS, TWINKLE BROTHERS, VARIOUS ARTISTS

USA560631470

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People also ask

What is the ISRC for "The Best Is Yet to Come" by Brian Stokes Mitchell?
The ISRC for "The Best Is Yet to Come" by Brian Stokes Mitchell is USBMG0600096.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
Is the ISRC the same as the ISWC?
No. The ISRC identifies a specific recording, while the ISWC identifies the underlying musical composition. USBMG0600096 is the ISRC for this recording; T0700110060 is the ISWC for the composition it is a recording of. One composition (ISWC) can have many recordings (ISRCs) — originals, remixes, live versions, and covers each get their own ISRC but share the same ISWC.

What is ISRC USBMG0600096?

USBMG0600096 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Best Is Yet to Come" by Brian Stokes Mitchell. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

This recording is linked to the musical work T0700110060, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.

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