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Cry Myself to Sleep album cover

ISRC

USBNL0516012

Cry Myself to Sleep

Song: THINK I'LL GO SOMEWHERE AND CRY MYSELF TO SLEEP

Jeannie SeelyCharlie Louvin
unmatchedNot yet matched in the MLC database
Released 2003-01-01

Last verified:

USBNL0516012 is the International Standard Recording Code (ISRC) for the recording "Cry Myself to Sleep" by Jeannie Seely, Charlie Louvin, released 2003-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
BNLRegistrant
05Year (2005)
16012Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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People also ask

What is the ISRC for "Cry Myself to Sleep" by Jeannie Seely?
The ISRC for "Cry Myself to Sleep" by Jeannie Seely, Charlie Louvin is USBNL0516012.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USBNL0516012?

USBNL0516012 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Cry Myself to Sleep" by Jeannie Seely, Charlie Louvin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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