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ISRC

USBPS0550041

Save Your Sadness (Jan’s Tune‐remix)

Song: Jan’s Tune

Christopher Cross
unmatchedNot yet matched in the MLC database
Released 1994-08-01

Last verified:

USBPS0550041 is the International Standard Recording Code (ISRC) for the recording "Save Your Sadness (Jan’s Tune‐remix)" by Christopher Cross, released 1994-08-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CHRISTOPHER CROSS, ROBERT ALVAH MEURER.

Format

USCountry
BPSRegistrant
05Year (2005)
50041Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

CHRISTOPHER CROSSComposer
ROBERT ALVAH MEURERComposer
SourcesMusicBrainzMLCNotes3 sources

Verified on

People also ask

What is the ISRC for "Save Your Sadness (Jan’s Tune‐remix)" by Christopher Cross?
The ISRC for "Save Your Sadness (Jan’s Tune‐remix)" by Christopher Cross is USBPS0550041.
Who wrote "Save Your Sadness (Jan’s Tune‐remix)"?
"Save Your Sadness (Jan’s Tune‐remix)" was written by CHRISTOPHER CROSS, ROBERT ALVAH MEURER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USBPS0550041?

USBPS0550041 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Save Your Sadness (Jan’s Tune‐remix)" by Christopher Cross. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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