Doing Production vs. Working with Producers album cover

ISRC

USBWK2400103

Doing Production vs. Working with Producers

Song: DOING PRODUCTION VS. WORKING WITH PRODUCERS

MF DOOM
unmatchedNot yet matched in the MLC database
Released 2024-10-08

Last verified:

USBWK2400103 is the International Standard Recording Code (ISRC) for the recording "Doing Production vs. Working with Producers" by MF DOOM, released 2024-10-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DANIEL DUMILE THOMPSON, KEVIN BEACHAM.

Format

USCountry
BWKRegistrant
24Year (2024)
00103Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDoing Production vs. Working with Producers

People also ask

What is the ISRC for "Doing Production vs. Working with Producers" by MF DOOM?
The ISRC for "Doing Production vs. Working with Producers" by MF DOOM is USBWK2400103.
Who wrote "Doing Production vs. Working with Producers"?
"Doing Production vs. Working with Producers" was written by DANIEL DUMILE THOMPSON, KEVIN BEACHAM.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USBWK2400103?

USBWK2400103 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Doing Production vs. Working with Producers" by MF DOOM. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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