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Ces deux yeux bruns / De ces deux yeux: Ces deux yeux bruns / De ces deux yeux album cover

ISRC

USBZ91110709

Ces deux yeux bruns / De ces deux yeux: Ces deux yeux bruns / De ces deux yeux

PartheniaJulianne BairdRobert Mealy
Released 2009-01-01

Last verified:

USBZ91110709 is the International Standard Recording Code (ISRC) for the recording "Ces deux yeux bruns / De ces deux yeux: Ces deux yeux bruns / De ces deux yeux" by Parthenia, Julianne Baird, Robert Mealy, released 2009-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
BZ9Registrant
11Year (2011)
10709Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Ces deux yeux bruns / De ces deux yeux: Ces deux yeux bruns / De ces deux yeux" by Parthenia?
The ISRC for "Ces deux yeux bruns / De ces deux yeux: Ces deux yeux bruns / De ces deux yeux" by Parthenia, Julianne Baird, Robert Mealy is USBZ91110709.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USBZ91110709?

USBZ91110709 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Ces deux yeux bruns / De ces deux yeux: Ces deux yeux bruns / De ces deux yeux" by Parthenia, Julianne Baird, Robert Mealy. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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