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Tenor Conclave album cover

ISRC

USC4R1604960

Tenor Conclave

Song: TENOR CONCLAVE

Hank MobleyAl CohnJohn ColtraneZoot Sims
unmatchedNot yet matched in the MLC database
Released 1957-04-01

Last verified:

USC4R1604960 is the International Standard Recording Code (ISRC) for the recording "Tenor Conclave" by Hank Mobley, Al Cohn, John Coltrane, Zoot Sims, released 1957-04-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HANK MOBLEY.

Format

USCountry
C4RRegistrant
16Year (2016)
04960Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

HANK MOBLEYComposer
PRESTIGE MUSIC OriginalPublisherIPI: 00024891575

Who publishes this song?

PRESTIGE MUSICOriginalPublisher
IPI: 00024891575

MLC Song Code

T12331
Verify on MLC Portal →
SourcesMusicBrainz

People also ask

What is the ISRC for "Tenor Conclave" by Hank Mobley?
The ISRC for "Tenor Conclave" by Hank Mobley, Al Cohn, John Coltrane, Zoot Sims is USC4R1604960.
Who wrote "Tenor Conclave"?
"Tenor Conclave" was written by HANK MOBLEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USC4R1604960?

USC4R1604960 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Tenor Conclave" by Hank Mobley, Al Cohn, John Coltrane, Zoot Sims. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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