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ISRC

USC4R1800701

Oh Dear, What Can the Matter Be

Song: OH DEAR WHAT CAN THE MATTER BE

Terry Callier
unmatchedNot yet matched in the MLC database
Released 1965-01-01

Last verified:

USC4R1800701 is the International Standard Recording Code (ISRC) for the recording "Oh Dear, What Can the Matter Be" by Terry Callier, released 1965-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
C4RRegistrant
18Year (2018)
00701Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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People also ask

What is the ISRC for "Oh Dear, What Can the Matter Be" by Terry Callier?
The ISRC for "Oh Dear, What Can the Matter Be" by Terry Callier is USC4R1800701.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USC4R1800701?

USC4R1800701 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Oh Dear, What Can the Matter Be" by Terry Callier. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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