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We’ve Got to Get Ourselves Together album cover

ISRC

USC4R1901651

We’ve Got to Get Ourselves Together

Song: WE'VE GOT TO GET OURSELVES TOGETHER

The Staple Singers
matched
Released 1968-01-01

Last verified:

USC4R1901651 is the International Standard Recording Code (ISRC) for the recording “We’ve Got to Get Ourselves Together” by The Staple Singers, released 1968-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by B. BRAMLETT, C. RADLE.

Format

USCountry
C4RRegistrant
19Year (2019)
01651Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

B. BRAMLETTComposer
C. RADLEComposer

MLC Song Code

W20400
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "We’ve Got to Get Ourselves Together" by The Staple Singers?
The ISRC for "We’ve Got to Get Ourselves Together" by The Staple Singers is USC4R1901651.
Who wrote "We’ve Got to Get Ourselves Together"?
"We’ve Got to Get Ourselves Together" was written by B. BRAMLETT, C. RADLE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USC4R1901651?

USC4R1901651 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “We’ve Got to Get Ourselves Together” by The Staple Singers. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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