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STILL TALK’N THAT SHIT album cover

ISRC

USC4R2446067

STILL TALK’N THAT SHIT5

Song: STILL TALK'N THAT SHIT

Killer MikeKey GlockProject Pat
unmatchedNot yet matched in the MLC database
Released 2024-07-28

Last verified:

USC4R2446067 is the International Standard Recording Code (ISRC) for the recording “STILL TALK’N THAT SHIT” by Killer Mike, Key Glock, Project Pat, released 2024-07-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TIM MOORE, PATRICK EARL HOUSTON, RICKY DUNIGAN, and others.

Format

USCountry
C4RRegistrant
24Year (2024)
46067Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "STILL TALK’N THAT SHIT" by Killer Mike?
The ISRC for "STILL TALK’N THAT SHIT" by Killer Mike, Key Glock, Project Pat is USC4R2446067.
Who wrote "STILL TALK’N THAT SHIT"?
"STILL TALK’N THAT SHIT" was written by TIM MOORE, PATRICK EARL HOUSTON, RICKY DUNIGAN, MICHAEL SANTIGO RENDER, MARKEYVIUS CATHEY, PAUL BEAUREGARD, JORDAN HOUSTON, PAUL D BEAUREGARD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USC4R2446067?

USC4R2446067 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “STILL TALK’N THAT SHIT” by Killer Mike, Key Glock, Project Pat. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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