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That’s Why God Made the Radio album cover

ISRC

USCA21201365

That’s Why God Made the Radio

Song: THAT'S WHY GOD MADE THE RADIO

The Beach Boys
unmatchedNot yet matched in the MLC database
Released 2012-01-01

Last verified:

USCA21201365 is the International Standard Recording Code (ISRC) for the recording "That’s Why God Made the Radio" by The Beach Boys, released 2012-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LAURENCE JOHN MILLAS, JOSEPH THOMAS, BRIAN DOUGLAS WILSON, and others.

Format

USCountry
CA2Registrant
12Year (2012)
01365Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCThat’s Why God Made the Radio
IPILAURENCE JOHN MILLAS

People also ask

What is the ISRC for "That’s Why God Made the Radio" by The Beach Boys?
The ISRC for "That’s Why God Made the Radio" by The Beach Boys is USCA21201365.
Who wrote "That’s Why God Made the Radio"?
"That’s Why God Made the Radio" was written by LAURENCE JOHN MILLAS, JOSEPH THOMAS, BRIAN DOUGLAS WILSON, JIM PETERICK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USCA21201365?

USCA21201365 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "That’s Why God Made the Radio" by The Beach Boys. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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