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LET'S GO TRIPPIN' (MONO) album cover

ISRC

USCA21201953

LET'S GO TRIPPIN' (MONO)

Song: LET'S GO

THE BEACH BOYSNICK VENET
unmatchedNot yet matched in the MLC database
Released 1963-03-25

Last verified:

USCA21201953 is the International Standard Recording Code (ISRC) for the recording "LET'S GO TRIPPIN' (MONO)" by THE BEACH BOYS, NICK VENET, released 1963-03-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RICHARD MONSOUR.

Format

USCountry
CA2Registrant
12Year (2012)
01953Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

RICHARD MONSOURComposer
MONSOUR PUBLISHING COMPANY OriginalPublisher

Who publishes this song?

MONSOUR PUBLISHING COMPANYOriginalPublisher
SourcesNotesCommunity2 sources

Verified on

People also ask

What is the ISRC for "LET'S GO TRIPPIN' (MONO)" by THE BEACH BOYS?
The ISRC for "LET'S GO TRIPPIN' (MONO)" by THE BEACH BOYS, NICK VENET is USCA21201953.
Who wrote "LET'S GO TRIPPIN' (MONO)"?
"LET'S GO TRIPPIN' (MONO)" was written by RICHARD MONSOUR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USCA21201953?

USCA21201953 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "LET'S GO TRIPPIN' (MONO)" by THE BEACH BOYS, NICK VENET. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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