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  3. USCA24500002

ISRC

USCA24500002

Waiting for the Train to Come In

Peggy Lee
Released 1998-01-01

Last verified: July 4, 2026

USCA24500002 is the International Standard Recording Code (ISRC) for the recording “Waiting for the Train to Come In” by Peggy Lee, released 1998-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
CA2Registrant
45Year (2045)
00002Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2045):
Last two digits of the reference year (2045). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

Verified on

  • MusicBrainz recording record

People also ask

What is the ISRC for "Waiting for the Train to Come In" by Peggy Lee?+
The ISRC for "Waiting for the Train to Come In" by Peggy Lee is USCA24500002.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

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What is ISRC USCA24500002?

USCA24500002 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Waiting for the Train to Come In” by Peggy Lee. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

Learn more about ISRCs · Powered by Notes.fm

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USCA24500002 is the International Standard Recording Code (ISRC) for the recording “Waiting for the Train to Come In” by Peggy Lee, released 1998-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Peggy Lee