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Hell to Pay album cover

ISRC

USCA29400123

Hell to Pay2

Song: HELL TO PAY

Bonnie Raitt
matched
Released 1994-01-01

Last verified:

USCA29400123 is the International Standard Recording Code (ISRC) for the recording “Hell to Pay” by Bonnie Raitt, released 1994-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BONNIE RAITT.

Format

USCountry
CA2Registrant
94Year (1994)
00123Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1994):
Last two digits of the reference year (1994). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

BONNIE RAITTComposer
OPEN SECRET MUSIC OriginalPublisher0.00%IPI: 00336182764
BLUEWATER MUSIC CORP. RightsAdministrator100.00%IPI: 00161970171

Who publishes this song?

OPEN SECRET MUSICOriginalPublisher
IPI: 00336182764
BLUEWATER MUSIC CORP.RightsAdministrator
IPI: 00161970171

MLC Song Code

H3743I
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Hell to Pay" by Bonnie Raitt?
The ISRC for "Hell to Pay" by Bonnie Raitt is USCA29400123.
Who wrote "Hell to Pay"?
"Hell to Pay" was written by BONNIE RAITT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USCA29400123?

USCA29400123 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Hell to Pay” by Bonnie Raitt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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