ADESTE FIDELES (REMASTERED) album cover

ISRC

USCA29900560

ADESTE FIDELES (REMASTERED)

Song: ADESTE FIDELIS

FRANK SINATRA
unmatchedNot yet matched in the MLC database
Released 1957-09-01

Last verified:

USCA29900560 is the International Standard Recording Code (ISRC) for the recording "ADESTE FIDELES (REMASTERED)" by FRANK SINATRA, released 1957-09-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GAMLEY.

Format

USCountry
CA2Registrant
99Year (1999)
00560Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

GAMLEYComposer
INTERSONG-USA, INC. OriginalPublisherIPI: 00058333475

Who publishes this song?

INTERSONG-USA, INC.OriginalPublisher
IPI: 00058333475

MLC Song Code

SourcesNotesCommunity2 sources

Verified on

People also ask

What is the ISRC for "ADESTE FIDELES (REMASTERED)" by FRANK SINATRA?
The ISRC for "ADESTE FIDELES (REMASTERED)" by FRANK SINATRA is USCA29900560.
Who wrote "ADESTE FIDELES (REMASTERED)"?
"ADESTE FIDELES (REMASTERED)" was written by GAMLEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USCA29900560?

USCA29900560 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "ADESTE FIDELES (REMASTERED)" by FRANK SINATRA. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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