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THE VERY THOUGHT OF YOU (2000 DIGITAL REMASTER) album cover

ISRC

USCA29901257

THE VERY THOUGHT OF YOU (2000 DIGITAL REMASTER)

Song: THE VERY THOUGHT OF YOU

NAT KING COLE
matched
Released 1978-01-01

Last verified:

USCA29901257 is the International Standard Recording Code (ISRC) for the recording "THE VERY THOUGHT OF YOU (2000 DIGITAL REMASTER)" by NAT KING COLE, released 1978-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RAY NOBLE.

Format

USCountry
CA2Registrant
99Year (1999)
01257Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHE VERY THOUGHT OF YOU (2000 DIGITAL REMASTER)
IPIRAY NOBLE

People also ask

What is the ISRC for "THE VERY THOUGHT OF YOU (2000 DIGITAL REMASTER)" by NAT KING COLE?
The ISRC for "THE VERY THOUGHT OF YOU (2000 DIGITAL REMASTER)" by NAT KING COLE is USCA29901257.
Who wrote "THE VERY THOUGHT OF YOU (2000 DIGITAL REMASTER)"?
"THE VERY THOUGHT OF YOU (2000 DIGITAL REMASTER)" was written by RAY NOBLE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USCA29901257?

USCA29901257 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "THE VERY THOUGHT OF YOU (2000 DIGITAL REMASTER)" by NAT KING COLE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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