THE BREAKUP SONG (THEY DON'T WRITE EM) [FEAT. DAVE BAKER] album cover

ISRC

USCGH1661597

THE BREAKUP SONG (THEY DON'T WRITE EM) [FEAT. DAVE BAKER]

Song: THE BREAKUP SONG

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USCGH1661597 is the International Standard Recording Code (ISRC) for the recording "THE BREAKUP SONG (THEY DON'T WRITE EM) [FEAT. DAVE BAKER]". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GREGORY STANLEY KIHN, STEVE WRIGHT, GARY PHILLIPS.

Format

USCountry
CGHRegistrant
16Year (2016)
61597Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHE BREAKUP SONG (THEY DON'T WRITE EM) [FEAT. DAVE BAKER]

People also ask

What is the ISRC for "THE BREAKUP SONG (THEY DON'T WRITE EM) [FEAT. DAVE BAKER]"?
The ISRC for "THE BREAKUP SONG (THEY DON'T WRITE EM) [FEAT. DAVE BAKER]" is USCGH1661597.
Who wrote "THE BREAKUP SONG (THEY DON'T WRITE EM) [FEAT. DAVE BAKER]"?
"THE BREAKUP SONG (THEY DON'T WRITE EM) [FEAT. DAVE BAKER]" was written by GREGORY STANLEY KIHN, STEVE WRIGHT, GARY PHILLIPS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USCGH1661597?

USCGH1661597 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "THE BREAKUP SONG (THEY DON'T WRITE EM) [FEAT. DAVE BAKER]". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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