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ISRC

USCGJ0866790

I GET A KICK OUT OF YOU (FEAT. CASABLANCA ORCHESTRA)

LISA LEVYLISA LEVY;CASABLANCA
unmatchedNot yet matched in the MLC database

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USCGJ0866790 is the International Standard Recording Code (ISRC) for the recording “I GET A KICK OUT OF YOU (FEAT. CASABLANCA ORCHESTRA)” by LISA LEVY, LISA LEVY;CASABLANCA. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DIZZY GILLESPIE.

Format

USCountry
CGJRegistrant
08Year (2008)
66790Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI GET A KICK OUT OF YOU (FEAT. CASABLANCA ORCHESTRA)
IPIDIZZY GILLESPIE

People also ask

What is the ISRC for "I GET A KICK OUT OF YOU (FEAT. CASABLANCA ORCHESTRA)" by LISA LEVY?
The ISRC for "I GET A KICK OUT OF YOU (FEAT. CASABLANCA ORCHESTRA)" by LISA LEVY, LISA LEVY;CASABLANCA is USCGJ0866790.
Who wrote "I GET A KICK OUT OF YOU (FEAT. CASABLANCA ORCHESTRA)"?
"I GET A KICK OUT OF YOU (FEAT. CASABLANCA ORCHESTRA)" was written by DIZZY GILLESPIE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USCGJ0866790?

USCGJ0866790 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I GET A KICK OUT OF YOU (FEAT. CASABLANCA ORCHESTRA)” by LISA LEVY, LISA LEVY;CASABLANCA. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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