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LOOK GOOD IN BLUE [REMASTERED] album cover

ISRC

USCH30100037

LOOK GOOD IN BLUE [REMASTERED]

Song: LOOK GOOD IN BLUE

BLONDIE
matched
Released 1976-01-01

Last verified:

USCH30100037 is the International Standard Recording Code (ISRC) for the recording "LOOK GOOD IN BLUE [REMASTERED]" by BLONDIE, released 1976-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by J. DESTRI.

Format

USCountry
CH3Registrant
01Year (2001)
00037Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

J. DESTRIComposer
JIRU MUSIC INC OriginalPublisherIPI: 00035572876

Who publishes this song?

JIRU MUSIC INCOriginalPublisher
IPI: 00035572876

MLC Song Code

L64415
Verify on MLC Portal →
SourcesMusicBrainzMLCNotesCommunity4 sources

Verified on

People also ask

What is the ISRC for "LOOK GOOD IN BLUE [REMASTERED]" by BLONDIE?
The ISRC for "LOOK GOOD IN BLUE [REMASTERED]" by BLONDIE is USCH30100037.
Who wrote "LOOK GOOD IN BLUE [REMASTERED]"?
"LOOK GOOD IN BLUE [REMASTERED]" was written by J. DESTRI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USCH30100037?

USCH30100037 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "LOOK GOOD IN BLUE [REMASTERED]" by BLONDIE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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