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ISRC

USCH30100043

THE ATTACK OF THE GIANT ANTS (REMASTERED)

Song: THE ATTACK OF THE GIANT ANTS

BLONDIE
matched
Released 1991-11-20

Last verified:

USCH30100043 is the International Standard Recording Code (ISRC) for the recording "THE ATTACK OF THE GIANT ANTS (REMASTERED)" by BLONDIE, released 1991-11-20. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by C. STEIN.

Format

USCountry
CH3Registrant
01Year (2001)
00043Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

C. STEINComposer
JIRU MUSIC INC OriginalPublisherIPI: 00035572876

Who publishes this song?

JIRU MUSIC INCOriginalPublisher
IPI: 00035572876
SourcesMusicBrainzNotes2 sources

Verified on

People also ask

What is the ISRC for "THE ATTACK OF THE GIANT ANTS (REMASTERED)" by BLONDIE?
The ISRC for "THE ATTACK OF THE GIANT ANTS (REMASTERED)" by BLONDIE is USCH30100043.
Who wrote "THE ATTACK OF THE GIANT ANTS (REMASTERED)"?
"THE ATTACK OF THE GIANT ANTS (REMASTERED)" was written by C. STEIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USCH30100043?

USCH30100043 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "THE ATTACK OF THE GIANT ANTS (REMASTERED)" by BLONDIE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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