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ANGELS ON THE BALCONY (REMASTERED 2001) album cover

ISRC

USCH30100089

ANGELS ON THE BALCONY (REMASTERED 2001)

Song: ANGELS ON THE BALCONY

BLONDIE
matched
Released 1980-01-01

Last verified:

USCH30100089 is the International Standard Recording Code (ISRC) for the recording "ANGELS ON THE BALCONY (REMASTERED 2001)" by BLONDIE, released 1980-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JIMMY DESTRI, LAURA DAVIS.

Format

USCountry
CH3Registrant
01Year (2001)
00089Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JIMMY DESTRIComposer
LAURA DAVISComposer

MLC Song Code

A34539
Verify on MLC Portal →
SourcesMusicBrainzMLCNotes3 sources

Verified on

People also ask

What is the ISRC for "ANGELS ON THE BALCONY (REMASTERED 2001)" by BLONDIE?
The ISRC for "ANGELS ON THE BALCONY (REMASTERED 2001)" by BLONDIE is USCH30100089.
Who wrote "ANGELS ON THE BALCONY (REMASTERED 2001)"?
"ANGELS ON THE BALCONY (REMASTERED 2001)" was written by JIMMY DESTRI, LAURA DAVIS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USCH30100089?

USCH30100089 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "ANGELS ON THE BALCONY (REMASTERED 2001)" by BLONDIE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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