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(IM ALWAYS TOUCHED BY YOUR) PRESENCE, DEAR album cover

ISRC

USCH38700022

(IM ALWAYS TOUCHED BY YOUR) PRESENCE, DEAR

Song: I'M ALWAYS TOUCHED BY YOUR PRESENCE DEAR

BLONDIE
matched
Released 1977-01-01

Last verified:

USCH38700022 is the International Standard Recording Code (ISRC) for the recording "(IM ALWAYS TOUCHED BY YOUR) PRESENCE, DEAR" by BLONDIE, released 1977-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GARY VALENTINE.

Format

USCountry
CH3Registrant
87Year (1987)
00022Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1987):
Last two digits of the reference year (1987). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

GARY VALENTINEComposer

MLC Song Code

I48394
Verify on MLC Portal →
SourcesMusicBrainzMLCNotesCommunity4 sources

Verified on

People also ask

What is the ISRC for "(IM ALWAYS TOUCHED BY YOUR) PRESENCE, DEAR" by BLONDIE?
The ISRC for "(IM ALWAYS TOUCHED BY YOUR) PRESENCE, DEAR" by BLONDIE is USCH38700022.
Who wrote "(IM ALWAYS TOUCHED BY YOUR) PRESENCE, DEAR"?
"(IM ALWAYS TOUCHED BY YOUR) PRESENCE, DEAR" was written by GARY VALENTINE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USCH38700022?

USCH38700022 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "(IM ALWAYS TOUCHED BY YOUR) PRESENCE, DEAR" by BLONDIE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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