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Hey, Mr. Cotton Picker album cover

ISRC

USCN19100431

Hey, Mr. Cotton Picker2

Song: HEY, MR. COTTONPICKER

Tennessee Ernie FordCliffie Stone's Orchestra
matched
Released 1953-01-01

Last verified:

USCN19100431 is the International Standard Recording Code (ISRC) for the recording “Hey, Mr. Cotton Picker” by Tennessee Ernie Ford, Cliffie Stone's Orchestra, released 1953-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROBERT MITCHUM, DOK STANFORD.

Format

USCountry
CN1Registrant
91Year (1991)
00431Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ROBERT MITCHUMComposer
DOK STANFORDComposer

Credits Graph

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Hey, Mr. Cotton Picker" by Tennessee Ernie Ford?
The ISRC for "Hey, Mr. Cotton Picker" by Tennessee Ernie Ford, Cliffie Stone's Orchestra is USCN19100431.
Who wrote "Hey, Mr. Cotton Picker"?
"Hey, Mr. Cotton Picker" was written by ROBERT MITCHUM, DOK STANFORD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USCN19100431?

USCN19100431 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Hey, Mr. Cotton Picker” by Tennessee Ernie Ford, Cliffie Stone's Orchestra. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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