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ISRC

USCN19300111

Blues for Dixie

Song: BLUES FOR DIXIE

Asleep at the WheelLyle Lovett
unmatchedNot yet matched in the MLC database
Released 1993-11-02

Last verified:

USCN19300111 is the International Standard Recording Code (ISRC) for the recording "Blues for Dixie" by Asleep at the Wheel, Lyle Lovett, released 1993-11-02. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by O.W. MAYO.

Format

USCountry
CN1Registrant
93Year (1993)
00111Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1993):
Last two digits of the reference year (1993). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

O.W. MAYOComposer
UNICHAPPELL MUSIC, INC. OriginalPublisherIPI: 00055032802

Who publishes this song?

UNICHAPPELL MUSIC, INC.OriginalPublisher
IPI: 00055032802

MLC Song Code

B57680
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

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Songwriter profiles

People also ask

What is the ISRC for "Blues for Dixie" by Asleep at the Wheel?
The ISRC for "Blues for Dixie" by Asleep at the Wheel, Lyle Lovett is USCN19300111.
Who wrote "Blues for Dixie"?
"Blues for Dixie" was written by O.W. MAYO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USCN19300111?

USCN19300111 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Blues for Dixie" by Asleep at the Wheel, Lyle Lovett. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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