COMIN' WIT ME album cover

ISRC

USCRP2128057

COMIN' WIT ME

Song: COMIN WIT ME

PASTOR TROY
unmatchedNot yet matched in the MLC database

Last verified:

USCRP2128057 is the International Standard Recording Code (ISRC) for the recording "COMIN' WIT ME" by PASTOR TROY. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DERRICK JOHNSON, MICHALE VAR TROY.

Format

USCountry
CRPRegistrant
21Year (2021)
28057Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DERRICK JOHNSONComposerLyricist
THE ROYALTY NETWORK INC. OriginalPublisherIPI: 00255217086
MICHALE VAR TROYComposerLyricist
THE ROYALTY NETWORK INC. OriginalPublisherIPI: 00255217086

Who publishes this song?

THE ROYALTY NETWORK INC.OriginalPublisher
IPI: 00255217086

MLC Song Code

SourcesMLCNotesCommunityMusicBrainz4 sources

Verified on

People also ask

What is the ISRC for "COMIN' WIT ME" by PASTOR TROY?
The ISRC for "COMIN' WIT ME" by PASTOR TROY is USCRP2128057.
Who wrote "COMIN' WIT ME"?
"COMIN' WIT ME" was written by DERRICK JOHNSON, MICHALE VAR TROY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USCRP2128057?

USCRP2128057 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "COMIN' WIT ME" by PASTOR TROY. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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