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CAN YOU LOVE ME TONIGHT? - SUMMER EDIT album cover

ISRC

USDA12203322

CAN YOU LOVE ME TONIGHT? - SUMMER EDIT

Song: CAN YOU LOVE ME TONIGHT?

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USDA12203322 is the International Standard Recording Code (ISRC) for the recording "CAN YOU LOVE ME TONIGHT? - SUMMER EDIT". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ADAM B KORBESMEYER, JERRY LANG, AKPEVWOGHENE DANIEL ODJIGHORO, and others.

Format

USCountry
DA1Registrant
22Year (2022)
03322Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCAN YOU LOVE ME TONIGHT? - SUMMER EDIT
IPIADAM B KORBESMEYER

Related

Songwriter profiles

ADAM B KORBESMEYERIPIJERRY LANGIPIAKPEVWOGHENE DANIEL ODJIGHOROIPI

People also ask

What is the ISRC for "CAN YOU LOVE ME TONIGHT? - SUMMER EDIT"?
The ISRC for "CAN YOU LOVE ME TONIGHT? - SUMMER EDIT" is USDA12203322.
Who wrote "CAN YOU LOVE ME TONIGHT? - SUMMER EDIT"?
"CAN YOU LOVE ME TONIGHT? - SUMMER EDIT" was written by ADAM B KORBESMEYER, JERRY LANG, AKPEVWOGHENE DANIEL ODJIGHORO, EJIRO ODJIGHORO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USDA12203322?

USDA12203322 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "CAN YOU LOVE ME TONIGHT? - SUMMER EDIT". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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