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Squalie (skit) album cover

ISRC

USDJ20300749

Squalie (skit)2

Song: SQUALIE

Juelz SantanaFreekey ZekeyMike PetersMonique Garnett
matched
Released 2003-01-01

Last verified:

USDJ20300749 is the International Standard Recording Code (ISRC) for the recording “Squalie (skit)” by Juelz Santana, Freekey Zekey, Mike Peters, Monique Garnett, released 2003-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GREGORY OMAR GREEN, LARON L JAMES, SEON THOMAS, and others.

Format

USCountry
DJ2Registrant
03Year (2003)
00749Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSqualie (skit)
IPIGREGORY OMAR GREEN

People also ask

What is the ISRC for "Squalie (skit)" by Juelz Santana?
The ISRC for "Squalie (skit)" by Juelz Santana, Freekey Zekey, Mike Peters, Monique Garnett is USDJ20300749.
Who wrote "Squalie (skit)"?
"Squalie (skit)" was written by GREGORY OMAR GREEN, LARON L JAMES, SEON THOMAS, BARRY EUGENE WHITE, MARCOS BRITO, BARRY EUGENE WHITE, RUSTY BRITO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USDJ20300749?

USDJ20300749 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Squalie (skit)” by Juelz Santana, Freekey Zekey, Mike Peters, Monique Garnett. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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