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You Ain't Much Fun (live) album cover

ISRC

USDW10400966

You Ain't Much Fun (live)

Song: YOU AIN'T MUCH FUN

Toby Keith
unmatchedNot yet matched in the MLC database
Released 2004-11-09

Last verified:

USDW10400966 is the International Standard Recording Code (ISRC) for the recording “You Ain't Much Fun (live)” by Toby Keith, released 2004-11-09. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SAM NOLE.

Format

USCountry
DW1Registrant
04Year (2004)
00966Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

SAM NOLEComposer
TUNECORE DIGITAL MUSIC OriginalPublisherIPI: 00642005099

Who publishes this song?

TUNECORE DIGITAL MUSICOriginalPublisher
IPI: 00642005099

MLC Song Code

Y01537
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "You Ain't Much Fun (live)" by Toby Keith?
The ISRC for "You Ain't Much Fun (live)" by Toby Keith is USDW10400966.
Who wrote "You Ain't Much Fun (live)"?
"You Ain't Much Fun (live)" was written by SAM NOLE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USDW10400966?

USDW10400966 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “You Ain't Much Fun (live)” by Toby Keith. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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