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TRUE TO IT album cover

ISRC

USEEZ0805005

TRUE TO IT

Song: IT'S ABOUT TO GO DOWN

GOODIE MOBGOODIE MOB & PASTOR TROYPASTOR TROYPASTOR TROY AND GOODIE MOB
unmatchedNot yet matched in the MLC database

Last verified:

USEEZ0805005 is the International Standard Recording Code (ISRC) for the recording "TRUE TO IT" by GOODIE MOB, GOODIE MOB & PASTOR TROY, PASTOR TROY, PASTOR TROY AND GOODIE MOB. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NEMO MITCHELL, MICAH TROY.

Format

USCountry
EEZRegistrant
08Year (2008)
05005Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

NEMO MITCHELLComposer
MICAH TROYComposer

MLC Song Code

TW6JK5
Verify on MLC Portal →
SourcesMLCNotesCommunity3 sources

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People also ask

What is the ISRC for "TRUE TO IT" by GOODIE MOB?
The ISRC for "TRUE TO IT" by GOODIE MOB, GOODIE MOB & PASTOR TROY, PASTOR TROY, PASTOR TROY AND GOODIE MOB is USEEZ0805005.
Who wrote "TRUE TO IT"?
"TRUE TO IT" was written by NEMO MITCHELL, MICAH TROY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USEEZ0805005?

USEEZ0805005 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "TRUE TO IT" by GOODIE MOB, GOODIE MOB & PASTOR TROY, PASTOR TROY, PASTOR TROY AND GOODIE MOB. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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