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ISRC

USEP41331005

Dead Man Talking

Song: DEAD MAN TALKING

Architects
matched

Last verified:

USEP41331005 is the International Standard Recording Code (ISRC) for the recording "Dead Man Talking" by Architects. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TOM SEARLE.

Format

USCountry
EP4Registrant
13Year (2013)
31005Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

TOM SEARLEComposer
MUSIC OF THE MOTHERSHIP OriginalPublisher0.00%
MOTHERSHIP MUSIC PUBLISHING RightsAdministrator100.00%

Who publishes this song?

MUSIC OF THE MOTHERSHIPOriginalPublisher
MOTHERSHIP MUSIC PUBLISHINGRightsAdministrator

MLC Song Code

DV9EST
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Dead Man Talking" by Architects?
The ISRC for "Dead Man Talking" by Architects is USEP41331005.
Who wrote "Dead Man Talking"?
"Dead Man Talking" was written by TOM SEARLE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USEP41331005?

USEP41331005 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Dead Man Talking" by Architects. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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