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Medley: In the Blue Hils of Virginia / Back to Old Smokey Mountain album cover

ISRC

USEWC2550020

Medley: In the Blue Hils of Virginia / Back to Old Smokey Mountain

Merle TravisMac WisemanJoe MaphisJackson D. KaneFiddlin' Red Herron

Last verified:

USEWC2550020 is the International Standard Recording Code (ISRC) for the recording “Medley: In the Blue Hils of Virginia / Back to Old Smokey Mountain” by Merle Travis, Mac Wiseman, Joe Maphis, Jackson D. Kane, Fiddlin' Red Herron. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
EWCRegistrant
25Year (2025)
50020Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Medley: In the Blue Hils of Virginia / Back to Old Smokey Mountain" by Merle Travis?
The ISRC for "Medley: In the Blue Hils of Virginia / Back to Old Smokey Mountain" by Merle Travis, Mac Wiseman, Joe Maphis, Jackson D. Kane, Fiddlin' Red Herron is USEWC2550020.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USEWC2550020?

USEWC2550020 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Medley: In the Blue Hils of Virginia / Back to Old Smokey Mountain” by Merle Travis, Mac Wiseman, Joe Maphis, Jackson D. Kane, Fiddlin' Red Herron. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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