ISRC

USEWM1800074

BORED OF YOU (ORIGINAL POSH BOY RELEASE - REMASTERED)

Song: BORED OF YOU

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USEWM1800074 is the International Standard Recording Code (ISRC) for the recording "BORED OF YOU (ORIGINAL POSH BOY RELEASE - REMASTERED)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MIKE PALM.

Format

USCountry
EWMRegistrant
18Year (2018)
00074Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MIKE PALMComposer
VIRTUALLY INDESTRUCTIBLE MUSIC OriginalPublisher0.00%
FIGS. D MUSIC, INC. RightsAdministrator100.00%IPI: 00533878031

Who publishes this song?

VIRTUALLY INDESTRUCTIBLE MUSICOriginalPublisher
FIGS. D MUSIC, INC.RightsAdministrator
IPI: 00533878031
SourcesMLC

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People also ask

What is the ISRC for "BORED OF YOU (ORIGINAL POSH BOY RELEASE - REMASTERED)"?
The ISRC for "BORED OF YOU (ORIGINAL POSH BOY RELEASE - REMASTERED)" is USEWM1800074.
Who wrote "BORED OF YOU (ORIGINAL POSH BOY RELEASE - REMASTERED)"?
"BORED OF YOU (ORIGINAL POSH BOY RELEASE - REMASTERED)" was written by MIKE PALM.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USEWM1800074?

USEWM1800074 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "BORED OF YOU (ORIGINAL POSH BOY RELEASE - REMASTERED)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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