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Arias and Barcarolles: VIII. Nachspiel (Postlude) (orch. Coughlin) album cover

ISRC

USEXZ1801012

Arias and Barcarolles: VIII. Nachspiel (Postlude) (orch. Coughlin)

Song: Arias and Barcarolles: Nachspiel (In Memoriam)

San Francisco SymphonyMichael Tilson Thomas
Released 2018-08-24

Last verified:

USEXZ1801012 is the International Standard Recording Code (ISRC) for the recording “Arias and Barcarolles: VIII. Nachspiel (Postlude) (orch. Coughlin)” by San Francisco Symphony, Michael Tilson Thomas, released 2018-08-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
EXZRegistrant
18Year (2018)
01012Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Arias and Barcarolles: VIII. Nachspiel (Postlude) (orch. Coughlin)" by San Francisco Symphony?
The ISRC for "Arias and Barcarolles: VIII. Nachspiel (Postlude) (orch. Coughlin)" by San Francisco Symphony, Michael Tilson Thomas is USEXZ1801012.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USEXZ1801012?

USEXZ1801012 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Arias and Barcarolles: VIII. Nachspiel (Postlude) (orch. Coughlin)” by San Francisco Symphony, Michael Tilson Thomas. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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