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I'M ON FIRE album cover

ISRC

USF068926580

I'M ON FIRE

JERRY LEE LEWISGERALD MCGEE & DAVID KEMPER
unmatchedNot yet matched in the MLC database

Last verified:

USF068926580 is the International Standard Recording Code (ISRC) for the recording "I'M ON FIRE" by JERRY LEE LEWIS, GERALD MCGEE & DAVID KEMPER. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by T. EYERS.

Format

USCountry
F06Registrant
89Year (1989)
26580Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1989):
Last two digits of the reference year (1989). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

100%
T. EYERSComposer100%
EMI SOSAHA MUSIC INC OriginalPublisherIPI: 00194439342

Who publishes this song?

EMI SOSAHA MUSIC INCOriginalPublisher
IPI: 00194439342

MLC Song Code

I54794
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "I'M ON FIRE" by JERRY LEE LEWIS?
The ISRC for "I'M ON FIRE" by JERRY LEE LEWIS, GERALD MCGEE & DAVID KEMPER is USF068926580.
Who wrote "I'M ON FIRE"?
"I'M ON FIRE" was written by T. EYERS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USF068926580?

USF068926580 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I'M ON FIRE" by JERRY LEE LEWIS, GERALD MCGEE & DAVID KEMPER. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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