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Not Gonna Be the One album cover

ISRC

USGF19247002

Not Gonna Be the One

Song: NOT GONNA BE THE ONE

Olivia Newton-John
unmatchedNot yet matched in the MLC database

Last verified:

USGF19247002 is the International Standard Recording Code (ISRC) for the recording "Not Gonna Be the One" by Olivia Newton-John. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
GF1Registrant
92Year (1992)
47002Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1992):
Last two digits of the reference year (1992). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

SETH SWIRSKYComposer
NOVEMBER NIGHTS MUSIC, INC. OriginalPublisher0.00%IPI: 00127728071
EMI APRIL MUSIC INC RightsAdministrator100.00%IPI: 00128633767

Who publishes this song?

NOVEMBER NIGHTS MUSIC, INC.OriginalPublisher
IPI: 00127728071
EMI APRIL MUSIC INCRightsAdministrator
IPI: 00128633767

MLC Song Code

N00490
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Not Gonna Be the One" by Olivia Newton-John?
The ISRC for "Not Gonna Be the One" by Olivia Newton-John is USGF19247002.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USGF19247002?

USGF19247002 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Not Gonna Be the One" by Olivia Newton-John. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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