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Tears in the Morning album cover

ISRC

USGJP1300210

Tears in the Morning

Song: TEARS IN THE MORNING

The Beach Boys
unmatchedNot yet matched in the MLC database
Released 2021-08-27

Last verified:

USGJP1300210 is the International Standard Recording Code (ISRC) for the recording "Tears in the Morning" by The Beach Boys, released 2021-08-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by B. JOHNSTON.

Format

USCountry
GJPRegistrant
13Year (2013)
00210Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

B. JOHNSTONComposer
ARTISTS-MUSIC, INC. OriginalPublisherIPI: 00001432351

Who publishes this song?

ARTISTS-MUSIC, INC.OriginalPublisher
IPI: 00001432351

MLC Song Code

T10531
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Tears in the Morning" by The Beach Boys?
The ISRC for "Tears in the Morning" by The Beach Boys is USGJP1300210.
Who wrote "Tears in the Morning"?
"Tears in the Morning" was written by B. JOHNSTON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USGJP1300210?

USGJP1300210 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Tears in the Morning" by The Beach Boys. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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