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In furore iustissimae irae, RV 626: Miserationem Pater piissime (recitative) album cover

ISRC

USHM11258713

In furore iustissimae irae, RV 626: Miserationem Pater piissime (recitative)

Song: In furore iustissimae irae, RV 626: II. Recitative "Miserationem Pater piissime"

Lucy CroweLa Nuova MusicaDavid Bates

Last verified:

USHM11258713 is the International Standard Recording Code (ISRC) for the recording "In furore iustissimae irae, RV 626: Miserationem Pater piissime (recitative)" by Lucy Crowe, La Nuova Musica, David Bates. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
HM1Registrant
12Year (2012)
58713Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "In furore iustissimae irae, RV 626: Miserationem Pater piissime (recitative)" by Lucy Crowe?
The ISRC for "In furore iustissimae irae, RV 626: Miserationem Pater piissime (recitative)" by Lucy Crowe, La Nuova Musica, David Bates is USHM11258713.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USHM11258713?

USHM11258713 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "In furore iustissimae irae, RV 626: Miserationem Pater piissime (recitative)" by Lucy Crowe, La Nuova Musica, David Bates. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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