Yellow House album cover

ISRC

USHM90523555

Yellow House2

Song: YELLOW HOUSE

Red Molly
unmatchedNot yet matched in the MLC database

Last verified:

USHM90523555 is the International Standard Recording Code (ISRC) for the recording “Yellow House by Red Molly. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
HM9Registrant
05Year (2005)
23555Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

SUSAN MARIE WERNERComposer
FRANK CHANCE MUSIC (ASCAP) OriginalPublisherIPI: 00515480759

Who publishes this song?

FRANK CHANCE MUSIC (ASCAP)OriginalPublisher
IPI: 00515480759

MLC Song Code

SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Yellow House" by Red Molly?
The ISRC for "Yellow House" by Red Molly is USHM90523555.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USHM90523555?

USHM90523555 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Yellow House by Red Molly. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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