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TEARS NEVER FALL album cover

ISRC

USHM90566272

TEARS NEVER FALL

Song: LOVERS SHOULD NEVER FALL IN LOVE

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USHM90566272 is the International Standard Recording Code (ISRC) for the recording "TEARS NEVER FALL". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LLOYD ED SMITH, ALLEN ALVOID JR JONES, LARRY CHARLES DODSON, and others.

Format

USCountry
HM9Registrant
05Year (2005)
66272Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTEARS NEVER FALL
IPILLOYD ED SMITH

Related

Songwriter profiles

LLOYD ED SMITHIPIALLEN ALVOID JR JONESIPILARRY CHARLES DODSONIPIJAMES EDWARD ALEXANDERIPIMICHAEL EDWARD BEARDIPIMARK G BYNUMIPIWINSTON STEWARTIPIFRANKLIN C THOMPSONIPI

People also ask

What is the ISRC for "TEARS NEVER FALL"?
The ISRC for "TEARS NEVER FALL" is USHM90566272.
Who wrote "TEARS NEVER FALL"?
"TEARS NEVER FALL" was written by LLOYD ED SMITH, ALLEN ALVOID JR JONES, LARRY CHARLES DODSON, JAMES EDWARD ALEXANDER, MICHAEL EDWARD BEARD, MARK G BYNUM, WINSTON STEWART, FRANKLIN C THOMPSON, HARVEY JOE HENDERSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USHM90566272?

USHM90566272 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "TEARS NEVER FALL". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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