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ISRC

USJ3V1151999

TE AMO TE EXTRANO

Song: CUANTO TE AMO CUANTO TE QUIERO

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USJ3V1151999 is the International Standard Recording Code (ISRC) for the recording “TE AMO TE EXTRANO”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SATURNINO CAICEDO CORDOBA, SATURNINO CAICEDO CORDOBA.

Format

USCountry
J3VRegistrant
11Year (2011)
51999Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

SATURNINO CAICEDO CORDOBAComposer
SATURNINO CAICEDO CORDOBAComposerLyricist
FM ENTRETENIMIENTO SAS OriginalPublisher0.00%IPI: 00230301732
SONY/ATV DISCOS MUSIC PUBLISHING LLC SubPublisher100.00%IPI: 00339319841

Who publishes this song?

FM ENTRETENIMIENTO SASOriginalPublisher
IPI: 00230301732
SONY/ATV DISCOS MUSIC PUBLISHING LLCSubPublisher
IPI: 00339319841

MLC Song Code

CV7O03
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People also ask

What is the ISRC for "TE AMO TE EXTRANO"?
The ISRC for "TE AMO TE EXTRANO" is USJ3V1151999.
Who wrote "TE AMO TE EXTRANO"?
"TE AMO TE EXTRANO" was written by SATURNINO CAICEDO CORDOBA, SATURNINO CAICEDO CORDOBA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USJ3V1151999?

USJ3V1151999 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “TE AMO TE EXTRANO”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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