ISRC

USJ3V1277867

I HOPE YOU FIND IT (KARAOKE VERSION) [ORIGINALLY PERFORMED BY CHER]

Song: I HOPE YOU FIND IT

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USJ3V1277867 is the International Standard Recording Code (ISRC) for the recording “I HOPE YOU FIND IT (KARAOKE VERSION) [ORIGINALLY PERFORMED BY CHER]”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JEFFREY ALLEN STEELE, STEPHEN PAUL ROBSON.

Format

USCountry
J3VRegistrant
12Year (2012)
77867Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI HOPE YOU FIND IT (KARAOKE VERSION) [ORIGINALLY PERFORMED BY CHER]

People also ask

What is the ISRC for "I HOPE YOU FIND IT (KARAOKE VERSION) [ORIGINALLY PERFORMED BY CHER]"?
The ISRC for "I HOPE YOU FIND IT (KARAOKE VERSION) [ORIGINALLY PERFORMED BY CHER]" is USJ3V1277867.
Who wrote "I HOPE YOU FIND IT (KARAOKE VERSION) [ORIGINALLY PERFORMED BY CHER]"?
"I HOPE YOU FIND IT (KARAOKE VERSION) [ORIGINALLY PERFORMED BY CHER]" was written by JEFFREY ALLEN STEELE, STEPHEN PAUL ROBSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USJ3V1277867?

USJ3V1277867 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I HOPE YOU FIND IT (KARAOKE VERSION) [ORIGINALLY PERFORMED BY CHER]”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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