GOLGI APPARATUS (10/30/98) (ALBUM FILLER) album cover

ISRC

USKF40903632

GOLGI APPARATUS (10/30/98) (ALBUM FILLER)

Song: GOLGI APPARATUS

PHISH
unmatchedNot yet matched in the MLC database

Last verified:

USKF40903632 is the International Standard Recording Code (ISRC) for the recording "GOLGI APPARATUS (10/30/98) (ALBUM FILLER)" by PHISH. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ERNEST J ANASTASIO, ROBERT SZUTER, THOMAS G MARSHALL, and others.

Format

USCountry
KF4Registrant
09Year (2009)
03632Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCGOLGI APPARATUS (10/30/98) (ALBUM FILLER)

People also ask

What is the ISRC for "GOLGI APPARATUS (10/30/98) (ALBUM FILLER)" by PHISH?
The ISRC for "GOLGI APPARATUS (10/30/98) (ALBUM FILLER)" by PHISH is USKF40903632.
Who wrote "GOLGI APPARATUS (10/30/98) (ALBUM FILLER)"?
"GOLGI APPARATUS (10/30/98) (ALBUM FILLER)" was written by ERNEST J ANASTASIO, ROBERT SZUTER, THOMAS G MARSHALL, AARON GWIN WOOLF.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USKF40903632?

USKF40903632 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "GOLGI APPARATUS (10/30/98) (ALBUM FILLER)" by PHISH. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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