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PRAY FOR ME FEAT. RICK ROSS FEAT. MUSIQ SOULCHILD album cover

ISRC

USKO11900268

PRAY FOR ME FEAT. RICK ROSS FEAT. MUSIQ SOULCHILD

Song: PRAY FOR ME

LIL' KIMMUSIQ SOULCHILDRICK ROSS
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USKO11900268 is the International Standard Recording Code (ISRC) for the recording "PRAY FOR ME FEAT. RICK ROSS FEAT. MUSIQ SOULCHILD" by LIL' KIM, MUSIQ SOULCHILD, RICK ROSS. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SAMUEL VOSS.

Format

USCountry
KO1Registrant
19Year (2019)
00268Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPRAY FOR ME FEAT. RICK ROSS FEAT. MUSIQ SOULCHILD
IPISAMUEL VOSS

People also ask

What is the ISRC for "PRAY FOR ME FEAT. RICK ROSS FEAT. MUSIQ SOULCHILD" by LIL' KIM?
The ISRC for "PRAY FOR ME FEAT. RICK ROSS FEAT. MUSIQ SOULCHILD" by LIL' KIM, MUSIQ SOULCHILD, RICK ROSS is USKO11900268.
Who wrote "PRAY FOR ME FEAT. RICK ROSS FEAT. MUSIQ SOULCHILD"?
"PRAY FOR ME FEAT. RICK ROSS FEAT. MUSIQ SOULCHILD" was written by SAMUEL VOSS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USKO11900268?

USKO11900268 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "PRAY FOR ME FEAT. RICK ROSS FEAT. MUSIQ SOULCHILD" by LIL' KIM, MUSIQ SOULCHILD, RICK ROSS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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