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I'm Back ! album cover

ISRC

USL4R2131793

I'm Back !

Song: IM BACK

Tyler James Bellinger
unmatchedNot yet matched in the MLC database

Last verified:

USL4R2131793 is the International Standard Recording Code (ISRC) for the recording "I'm Back !" by Tyler James Bellinger. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JONATHAN BUSCEMA, TYLER JAMES BELLINGER.

Format

USCountry
L4RRegistrant
21Year (2021)
31793Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

25%
JONATHAN BUSCEMAComposerLyricist25%
SONY/ATV SONGS LLC OriginalPublisherIPI: 00187062752
TYLER JAMES BELLINGERComposerLyricist

Who publishes this song?

SONY/ATV SONGS LLCOriginalPublisher
IPI: 00187062752

MLC Song Code

IZ1WYL
Verify on MLC Portal →
SourcesApple MusicMusicBrainz2 sources

Verified on

People also ask

What is the ISRC for "I'm Back !" by Tyler James Bellinger?
The ISRC for "I'm Back !" by Tyler James Bellinger is USL4R2131793.
Who wrote "I'm Back !"?
"I'm Back !" was written by JONATHAN BUSCEMA, TYLER JAMES BELLINGER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USL4R2131793?

USL4R2131793 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I'm Back !" by Tyler James Bellinger. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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