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Episodes Eight and Nine Suite: Six Hundred Dead, Dad Failed, Kill Me, So Have I, Theresa Swings album cover

ISRC

USLS51549112

Episodes Eight and Nine Suite: Six Hundred Dead, Dad Failed, Kill Me, So Have I, Theresa Swings

Charlie Clouser
Released 2015-01-01

Last verified:

USLS51549112 is the International Standard Recording Code (ISRC) for the recording “Episodes Eight and Nine Suite: Six Hundred Dead, Dad Failed, Kill Me, So Have I, Theresa Swings” by Charlie Clouser, released 2015-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
LS5Registrant
15Year (2015)
49112Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Episodes Eight and Nine Suite: Six Hundred Dead, Dad Failed, Kill Me, So Have I, Theresa Swings" by Charlie Clouser?
The ISRC for "Episodes Eight and Nine Suite: Six Hundred Dead, Dad Failed, Kill Me, So Have I, Theresa Swings" by Charlie Clouser is USLS51549112.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USLS51549112?

USLS51549112 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Episodes Eight and Nine Suite: Six Hundred Dead, Dad Failed, Kill Me, So Have I, Theresa Swings” by Charlie Clouser. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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