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É DISSO Q EU TÔ FALANDO album cover

ISRC

USLZJ2558670

É DISSO Q EU TÔ FALANDO2

Big RushLaerte BravoTsunami SantoL. Abner
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Last verified:

USLZJ2558670 is the International Standard Recording Code (ISRC) for the recording “É DISSO Q EU TÔ FALANDO” by Big Rush, Laerte Bravo, Tsunami Santo, L. Abner. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LUCAS ABNER MOREIRA DA SILVA, GABRIEL ALMEIDA MOTA, LUIZ HENRIQUE BARBOSA BRAVO, and others.

Format

USCountry
LZJRegistrant
25Year (2025)
58670Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCÉ DISSO Q EU TÔ FALANDO
IPILUCAS ABNER MOREIRA DA SILVA

People also ask

What is the ISRC for "É DISSO Q EU TÔ FALANDO" by Big Rush?
The ISRC for "É DISSO Q EU TÔ FALANDO" by Big Rush, Laerte Bravo, Tsunami Santo, L. Abner is USLZJ2558670.
Who wrote "É DISSO Q EU TÔ FALANDO"?
"É DISSO Q EU TÔ FALANDO" was written by LUCAS ABNER MOREIRA DA SILVA, GABRIEL ALMEIDA MOTA, LUIZ HENRIQUE BARBOSA BRAVO, JOAO PEDRO SANTOS DE SOUZA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USLZJ2558670?

USLZJ2558670 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “É DISSO Q EU TÔ FALANDO” by Big Rush, Laerte Bravo, Tsunami Santo, L. Abner. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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