ISRC

USMAG1010005

Go for Broke

Song: GO FOR BROKE

Jake Shimabukuro
matched
Released 2011-01-01

Last verified:

USMAG1010005 is the International Standard Recording Code (ISRC) for the recording “Go for Broke by Jake Shimabukuro, released 2011-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JAKE SHIMABUKURO.

Format

USCountry
MAGRegistrant
10Year (2010)
10005Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JAKE SHIMABUKUROComposer
UKE OX PUBLISHING OriginalPublisher0.00%IPI: 00534633066
WIXEN MUSIC PUBLISHING, INC. OriginalPublisher100.00%IPI: 00229993322

Who publishes this song?

UKE OX PUBLISHINGOriginalPublisher
IPI: 00534633066
WIXEN MUSIC PUBLISHING, INC.OriginalPublisher
IPI: 00229993322
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Go for Broke" by Jake Shimabukuro?
The ISRC for "Go for Broke" by Jake Shimabukuro is USMAG1010005.
Who wrote "Go for Broke"?
"Go for Broke" was written by JAKE SHIMABUKURO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMAG1010005?

USMAG1010005 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Go for Broke by Jake Shimabukuro. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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