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Abstract Reality album cover

ISRC

USMBR0401067

Abstract Reality

Song: ABSTRACT REALITY

Nasty Savage
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USMBR0401067 is the International Standard Recording Code (ISRC) for the recording “Abstract Reality” by Nasty Savage. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by D. AUSTIN, R. GALLETI, B MEYER.

Format

USCountry
MBRRegistrant
04Year (2004)
01067Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

D. AUSTINComposer
BMG BUMBLEBEE OriginalPublisher100.00%IPI: 00722300987
R. GALLETIComposer
BMG BUMBLEBEE OriginalPublisher100.00%IPI: 00722300987
B MEYERComposer
BMG BUMBLEBEE OriginalPublisher100.00%IPI: 00722300987

Who publishes this song?

BMG BUMBLEBEEOriginalPublisher
IPI: 00722300987
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Abstract Reality" by Nasty Savage?
The ISRC for "Abstract Reality" by Nasty Savage is USMBR0401067.
Who wrote "Abstract Reality"?
"Abstract Reality" was written by D. AUSTIN, R. GALLETI, B MEYER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMBR0401067?

USMBR0401067 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Abstract Reality” by Nasty Savage. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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