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Spirit of the Hawk album cover

ISRC

USMBR0603178

Spirit of the Hawk2

Song: SPIRIT OF THE HAWK

Falconer
matched

Last verified:

USMBR0603178 is the International Standard Recording Code (ISRC) for the recording “Spirit of the Hawk” by Falconer. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by STEFAN WEINERHALL.

Format

USCountry
MBRRegistrant
06Year (2006)
03178Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

STEFAN WEINERHALLComposer
MISTY MUSIC AB OriginalPublisher0.00%IPI: 00205767860
FIGS. D MUSIC, INC. RightsAdministrator100.00%IPI: 00533878031

Who publishes this song?

MISTY MUSIC ABOriginalPublisher
IPI: 00205767860
FIGS. D MUSIC, INC.RightsAdministrator
IPI: 00533878031

MLC Song Code

S2432I
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Spirit of the Hawk" by Falconer?
The ISRC for "Spirit of the Hawk" by Falconer is USMBR0603178.
Who wrote "Spirit of the Hawk"?
"Spirit of the Hawk" was written by STEFAN WEINERHALL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMBR0603178?

USMBR0603178 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Spirit of the Hawk” by Falconer. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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