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Wendigo Pt. 1 (Quest for Fire) album cover

ISRC

USMBR0806039

Wendigo Pt. 1 (Quest for Fire)2

Song: WENDIGO PT. 1 (QUEST FOR FIRE)

Bison B.C.
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Last verified:

USMBR0806039 is the International Standard Recording Code (ISRC) for the recording “Wendigo Pt. 1 (Quest for Fire)” by Bison B.C.. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JAMES FARWELL, MASAYOSHI ANZAI, BRADLY MACKINNON, and others.

Format

USCountry
MBRRegistrant
08Year (2008)
06039Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JAMES FARWELLComposer
MASAYOSHI ANZAIComposer
BRADLY MACKINNONComposer
DANIEL RHEAULTComposer

MLC Song Code

W4182S
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Wendigo Pt. 1 (Quest for Fire)" by Bison B.C.?
The ISRC for "Wendigo Pt. 1 (Quest for Fire)" by Bison B.C. is USMBR0806039.
Who wrote "Wendigo Pt. 1 (Quest for Fire)"?
"Wendigo Pt. 1 (Quest for Fire)" was written by JAMES FARWELL, MASAYOSHI ANZAI, BRADLY MACKINNON, DANIEL RHEAULT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMBR0806039?

USMBR0806039 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Wendigo Pt. 1 (Quest for Fire)” by Bison B.C.. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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